In recent years, the strange sci-fi and action film remakes from Turkey in the 70s and 80s have grown their own online international cult following

La guerre est dans les médias. La guerre serait-elle invisible? Même le mur semble moins haut, moins large, moins piteux. Quand est-on rentré en Cisjordanie?

The war is in the media. Could war be invisible? Even the Wall seems lower, narrower, less pitiful. When did we return to Palestine? I’m lost; the borders seem intangible.

Üit Kıvanç’s black-and-white pictures from Zonguldak, a Black Sea region where coal mines have been operating for almost two centuries, have been taken between 1983 and 1985.

That night I thought they would rape and kill me. I saw a window that was open so I escaped, climbed down three stories of balconies. I still don’t know how I did that.

Each day, graphic designer Zena Adhami posts a new image from Dubai – colours, shapes and patterns represent daily a specific place in the city.

Yazan Kopti asked his friends Nadya, Raja, Koray and Nasser to share their memories about Ramadan.

Iranian photographer Bahman Jalali has portrayed the Iran-Iraq war, the 1979 revolution and created photomontages with negatives from the Qajar era.

A new musical project from Beirut, a first EP just released. Safar Barlik remains quite mysterious with its electro beat and bittersweet melodies.

The ride home is strange — never have the sunflower fields been more breathtakingly beautiful. They are in full bloom now. A rolling sea of gold meeting, at the horizon, the cobalt blue of the real sea. Our waiting begins again, and the arrests continue — outside of Istanbul it is estimated over 11,000 other suspects languish in prison in the KCK case, and the number is ever-growing.